
Somewhere in the intervening 30 years, though, Tomkins/Taylor transitioned from destroying anything Whitehouse did to something I wouldn't put past a modern electroacoustic composer who happened also to be a torture killer on the side.
I made a horrible mistake when I opened the digipack. I did not simply take the CD out and put it on. Nooo. I chose to read the lovely little short story printed inside; the text of the title track. It's a children's story, for parents who want to come home to the self-mutilated corpses of their children. Tomkins tells the story calmly, his voice wrapped in unsettling shifting synthesized drones.
Each, ah, song on Sutcliffe Jugend's new record is a distinct play on this approach; instead of traditional angry, harsh power electronics, each is a work of unease, dread, and horror. I give the artists full credit for managing to make concrete and recorded the feeling of the worst nightmares, but the stories here are not for humans with a desire to function. I have to shut off memories of this album when I'm not listening to it, and I forget the stories the same way I do nightmares. Not pleasant.
No comments:
Post a Comment